Illustration: AI Giorgio Linguaglossa raises a crucial question about the concept of art: «How and where to orient the search for the new poetic language?». After the end of the modern era and of every modernist aesthetic ontology, decreed by Zygmunt Bauman and contemporary new sociology, every post-modernist meta-philosopher - like Jencks with architecture, Danto with art or Fukuyama with history - is tempted to impose the definitive sanction of death sentence on the object